As a part of the launch for Vanity Project, I am writing a series of blog entries that give a bit more background detail and making of for each track. All these blogs will be collected together in the Vanity Project area of the site.
When I started to think about how I was going to film Vanity Project, I knew I needed an opening shot that would establish the idea of getting onto the A38. I planned that the film would be made up of 10 second clips, but I knew that the first shot was going to be a bit longer, and that the title card should appear after this shot. The shot itself was easy enough, taken on the Mannamead roundabout in Plymouth heading west onto the A38 on a sunny morning.
I knew I was going to need some kind of introduction music or fanfare, but I didn’t know what would work. No Regrets happened by accident. I was driving to Exeter one night for an open mic and I was listening in the car to a cd I’d burnt of some of my favourite songs. I was listening to Regret by New Order, but it kept skipping, and so I flipped to the next track. As I did this, something I’d never seen my car cd player do before happened. With skipping and repeating, the track started playing backwards. I quickly pulled in to a supermarket car park to see if it would do it again and it did, so I recorded a couple of minutes of the noise on my phone. A week or so later, I chose 5 or 6 loops from what I’d recorded and it came together.
I like the name No Regrets. It is partly an acknowledgement of where the track came from, but it also reflects the defiant side of Vanity Project.